美國版酷斯拉(1998)的碼頭破壞場景
是在大水池以慢動作鏡頭，拍攝1:6大小的酷斯拉替身偶在水中移動而成
以實景六分之一的規模大小來拍攝，再搭上高速攝影所放慢的鏡頭
所能呈現出來的寫實與巨大感是不可小覷的啊！
For the pier destruction, a 1:6th scale miniature of the pier was built in a pool. A corresponding 1:6th scale Godzilla dummy (made out of the moulds of the animatronic) was mounted on an underwater track and was then rammed against the pier. The sequence was filmed in slow motion to achieve a sense of mass and weight.
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